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2004 Interview





David Michael Lee b. 1976



Born and raised in Orange County, David Michael Lee holds a BA in photography and studio art from Columbia College in Chicago and an MFA in drawing, painting, and printmaking from California State University Fullerton. Lee has worked in higher education since 2002, engaging with a wide variety of students and allowing the opportunity to be constantly honing his craft as a painter. He serves as the director/curator of the Coastline College Art Gallery in Newport Beach. His work has been exhibited throughout Southern California and has been included in several public and private collections.



David Michael Lee is a painter from Corona del Mar, California who has been committed to abstraction for more than 25 years. I (Julie Perlin Lee) have been in the unique position to watch his work develop over the last 20 years which spans our relationship as colleagues in graduate school together at California State University, Fullerton through our partnership in marriage and as parents today. We have had countless conversations about his art and that of others, but for the first time I asked him to sit with me so I could document the concepts he thinks about as an artist, some questions I have never asked him about his work and what influences his thinking. J: Hi, and thank you for doing this. For nearly 10 years now you have been perfecting the main subject of your paintings which are hard edge colorful cubes and geometric shapes. What are they all about? D: They are abstracted forms rooted in the idea of organization, compartmentalizing and unpacking, or packing, of life’s details. J: Do you think about time or are there aspects of time in your painting? D: In repetitive use, and re-approach, of the concept of the cuboid and yes, time in a sense.


J: Do you see these details and ideas to be organized on a macro and a micro level? D: I appreciate the simplicity of a cube, a shape that can resemble a box, a gift, or a suitcase. The cube is a basic form that we encounter in various aspects of life, from Christmas presents to stacks of wood pallets, or even inventory at big box stores. While I have worked with cuboids for years, the Cuboids didn’t really make an appearance in my work until the Catalina years (2016-2021). My studio itself was a shipping container, cuboid, in a complex of stacked containers. Anyone looking back at me was looking at me in a cube. Outside my studio window, you would see dry docked boats and stacks of lobster traps, most of which sat for eight months of the year, unused until the season started again. I think about this shape the same way as reorganizing a pile of disheveled papers into a stack, which eventually becomes a cube there is a story in there, or at the very least information. Even in our current neighborhood in Laguna Beach, the homes are predominantly cubical. How can you add flair to a cube? I achieve that with light, the addition of geometric bars, and color.


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